{"id":60145,"date":"2026-08-03T16:03:20","date_gmt":"2026-08-03T14:03:20","guid":{"rendered":"https:\/\/retradycja.eu\/events\/exhibition-listen-to-the-echo-kaja-prusinowska-pol-3\/"},"modified":"2026-08-03T16:03:20","modified_gmt":"2026-08-03T14:03:20","slug":"exhibition-listen-to-the-echo-kaja-prusinowska-pol-3","status":"publish","type":"mec-events","link":"https:\/\/retradycja.eu\/en\/events\/exhibition-listen-to-the-echo-kaja-prusinowska-pol-3\/","title":{"rendered":"Exhibition | Listen to the Echo | Kaja Prusinowska (POL)"},"content":{"rendered":"<p>We invite you to an exhibition of works by Kaja Prusinowska. Romuald Demidenko writes about the artist and her work:<\/p>\n<blockquote><p><em><br \/>\nAnd with the touch of light, water will begin to flow through plants in a pulse, move and wash their interiors, and escape from the leaf directly into the air, into the lungs of frogs, into the fur of mice, and finally, for a moment, into condensed drops of clouds. Day, night. Inhale, exhale. Water seeps through the green along the inner paths of anatomy.<br \/>\n<\/em><\/p><\/blockquote>\n<p><em>\u2014 an excerpt from the book \u201cPatyki, badyle\u201d by Urszula Zaj\u0105czkowska<\/em><\/p>\n<p>The exhibition presents digitally processed images originally created as watercolours and ink-and-pencil drawings on paper, as well as works drawn with a stylus on a tablet. The expression and lightness of these works, achieved through the use of watercolours and the blurring of colour fields \u2013 including those displayed on a liquid crystal screen \u2013 lead me to call them \u201cflowing images\u201d. I am not entirely certain, however, whether this term fully captures their character.<\/p>\n<p>Kaja Prusinowska creates covers for music albums and audio productions, as well as animations accompanying concerts and performances, including those created for the Children\u2019s Musician Company developed together with Janusz Prusinowski. Her images are usually characterised by vivid, intense colours strongly contrasting with their often dark backgrounds. They resemble ornaments or paper cut-outs. They primarily depict the more-than-human world: plants, birds, and other animals. They bring to mind illustrations from fairy tales and old stories, and thus also a childlike way of seeing the world.<\/p>\n<p>A source of inspiration for the artist can be found in childhood illustrations, book covers, and the mysterious worlds created by artists such as Jan Marcin Szancer or Tove Jansson. Another inspiration is the ornamentation of traditional culture and the associations that folk art continues to evoke: embroidery, lace, and paper cut-outs. In these forms, aesthetics intertwined with function, and decoration was an integral part of everyday life rather than an addition to it.<\/p>\n<p>Prusinowska refers to this tradition while searching for connections between the visual and the auditory, creating images in which the past proves closer to the present than we often assume.<\/p>\n<p>Singer, painter, ethnopedagogue, author of scripts, melodies, and stage designs, and \u2013 as she herself emphasises \u2013 a mother of five children. This self-description softens the typical language of biographical notes while reflecting the numerous singing and workshop activities that Prusinowska directs towards children. In her own words, she often returns to childhood: as long as she can remember, she has enjoyed drawing, painting, and singing. Her first musical education came from her grandmother, who often sang, preserving memories of songs from different eras, performed in several languages and dialects.<\/p>\n<p>Like many drawings, these works rely on the importance of the handmade mark, the trace of creation, and a certain degree of imperfection \u2013 a conscious artistic choice. Folklore, present both in her musical interests and in her visual language, is not a story about the past, but a living carrier of knowledge about a multi-world. The titles of songs and their meanings lead us towards the deep symbolism of connections between humans and the plant-and-animal world, or rather the more-than-human environment.<\/p>\n<p>Prusinowska is not only an illustrator but also a researcher, explorer, and storyteller of multiculturalism. Her work concerns multiplicity and often the difficult-to-tell microhistories of regions whose traditions have intersected while remaining distinct. Through her work, she offers insight into the many realities from which we come, using ethnographic knowledge and showing that our roots are not only about origins but also about ways of understanding the world.<\/p>\n<p>This turn towards tradition is therefore not a return to what has passed, but an attempt to look towards natureculture \u2013 a diverse alliance of plants and animals, a many-family being whose continuity depends on what is passed on from previous generations.<\/p>\n<p>Just as plants do not function merely as landscape elements in Kaja Prusinowska\u2019s work, animals also become part of a world of relationships from which humans have never been separate. Birds, horses, dogs, hares, and roosters introduce layered narratives rooted in old songs and folk imagination. The artist evokes a reality in which animals lived close to people, often sharing the same spaces of everyday life.<\/p>\n<p>In the context of the climate crisis, Prusinowska\u2019s works can be read both as records of disappearing relationships and as songs of hope.<\/p>\n<p style=\"text-align: right;\">\u2014 Romuald Demidenko<\/p>\n<p>Romuald Demidenko \u2013 curator, art historian, and occasional writer. He is interested in representation, accessibility, and relationships between art, environmental humanities, and otherness. Since 2008, he has realised exhibitions, public programmes, and publications in various formats, most recently at the Baltic Gallery of Contemporary Art in S\u0142upsk and Ustka. He is a member of the International Association of Art Critics \u2013 AICA.<\/p>\n<h2>Details<\/h2>\n<p><strong>When:<\/strong> August 21\u201323, 9:00-17:00<br \/>\n<strong>Where:<\/strong> Workshops of Culture, Grodzka 7, entrance gate<br \/>\nAdmission free<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We invite you to an exhibition of works by Kaja Prusinowska. Romuald Demidenko writes about the artist and her work: [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"ngg_post_thumbnail":0},"tags":[],"pora_dnia":[],"kategoria_wydarzenia":[],"dostepnosc":[],"mec_category":[130],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Exhibition | Listen to the Echo | Kaja Prusinowska (POL) - Jarmark Jagiello\u0144ski<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/retradycja.eu\/events\/exhibition-listen-to-the-echo-kaja-prusinowska-pol-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Exhibition | Listen to the Echo | Kaja Prusinowska (POL) - Jarmark Jagiello\u0144ski\" \/>\n<meta property=\"og:description\" content=\"We invite you to an exhibition of works by Kaja Prusinowska. 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